About this Blog

This is about the combination of two interests, Radio Control vehicles and Science Fiction models. This blog documents my science fiction spaceship and radio controlled vehicle projects.

Saturday, 30 January 2021

Ultraman Towards the Future AKA Ultraman Great part 11

 Martian Landscape

The martian landscape was another set built by Tony Lees.

 

The Martian Lander spacecraft started as another one of my own personal spaceship projects which was donated to the production and completed by David Tremont with the addition of the communications pod and the final paint finish.

 

This was my original Lander project in primer before it was modified for the Ultraman production. The engine nozzles were from a Revell 1/72 space shuttle kit. I was inspired by a mushroom shaped ship I saw in a small photo in an issue of Cinefantastique magazine.

 

 

David Tremont on the set with the completed lander- seemingly asleep.


The Goudis puppet in its original form made by the puppet crew Steve Roswell, Vicki Kite, Graham Binding, Norman Yeend and Warren Beaton. It was one of the puppet creatures that eventually got re-made as a man in a suit for a fight sequence with a man in a suit Ultraman.


The cable controlled Ultraman puppet built by Warren Beaton squares off against the puppet Goudis. It was a very hot summer during the shoot and to get the depth of field for the high frame rate shots they needed a lot of light. The sun light was provided by a large Dino light, nine globes in a panel that gave of a massive amount of heat raising the temperature of the sand on the set above 55 degrees celsius (131 farenheit). There were two portable air conditioners running that failed to make any dent in the temperature in the studio. Walking into the studio from the workshop was a real shock to the system.

Goudis and Ultraman with foreground left to right, Jaimie Crooks the First AD, Joanne Parker camera assistant, Paul Nichola Visual Effects supervisor, Steve Roswell and behind him Paul Moyes miniatures unit gaffer. The people in the background I am not sure about.

 

Paul Nichola the Miniature Effects supervisor looking down the eyepiece as Adam Newcombe manipulates the Ultraman puppet.

 

This was the workshop area with the puppet crew occupying the right side corner. Visible in the picture left to right are, actually I'm not sure who that is on the far left, then Vicki Kite, Steve Roswell and Norman Yeend.

 

This was the model makers side of the room. From left to right are David Tremont, Adam Grace and me.



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