For
one episode of Ultraman we needed some defensive hidden gun
emplacements on UMA island.
The picture below shows setting
up for a shot with one of the gun emplacements. There was a single and a
double gun set up that was hidden behind secret panels that opened up
in the rock cliffs.
All the rock miniature set components for the show were carved by Tony
Lees out of
big chunks of polystyrene foam. At the end of a work day he always ended up looking like the
abominable snowman.
Fine foliage was shredded foam like that used used in cushions and pillows. It was shredded in old kitchen blenders, then soaked in green water based paint and dried.
Here
I am working on the off camera side of the double gun section. The
guns were made from components
originally molded and cast for the aborted Total recall movie in 1987.
These urethane resin castings were rocket launchers to go on the radio controlled
vehicles they were building for a chase scene on mars. Unfortunately the
film was cancelled before the vehicles were completed.
I think the bases they sat on were also from this source
but with extra detailing added.
Both
guns could elevate and rotate in sync using a rod and tube, all moved
by hand using the central wooden handle. The rock wall would hinge back
and then slide up by pulling on the cord
which goes over a pulley at the top thus revealing the hidden guns .
The
guns were rigged to fire a tracer squib from each of the eight barrels.
Each barrel had a brass tube cast inside it. All the pyro was done by Alan Maxwell and Judy Dabbs.
A
third location for a gun was a ground based one that rose up through a
round trap door that popped up and spread apart into two halves. The gun
was mounted on a teeter totter parallelogram rig to raise it up and
down by hand. Tony Lees (top right) is adding more foliage to the rock
ledges.
The
larger close up trees and bushes used predominantly plastic foliage. We
purchased a stack of it choosing the types that had the smallest leaf
shape available.
We also used a wispy natural dried foliage that was dyed green. The dye easily came off on your hands whenever you handled it.
Tony
Lees is adding more foliage to the set. In this case he is more a green
fingers than a green thumb. You can see the trap doors for the ground
gun not quite in the closed position.
Photos are all by the model unit photographer Corrie Ancone.
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